3/17/2024 0 Comments Folsom prison blues solo tablature![]() The sound rings full and true throughout the entire solo and continues the bass line theme as well. The chord voicings I select allow plenty of open strings to be played. Then I slide up to the A major on the 14th fret that reproduces the feel of the original solo. And at then end I throw in our beloved E13 and E9 chords to add more excitement and a bit of ear candy for the listener.įirst, I combine a rhythmic approach to different inversions of the D major chord. I switched up some of the single notes and used that as a lead-in to a nifty chord solo. ![]() My solution is to interpret the electric guitar/full band version in a way that honors the original Folsom Prison Blues solo. Folsom Prison Blues solo true to the original Because the song has such a full accompaniment during the verse sections, when we come to the solo, we need to offer something that continues that big, full sound. In my video, I give the Folsom Prison Blues solo a new approach that overcomes the problem. So, as one person with an acoustic guitar, how do we reproduce that solo and be true to his original version? And when he played it with his band, the solo is a musical centerpiece of the song. Johnny Cash wrote a great song, complete with a classic, self-contained accompaniment part. You’re back at the four sets of E major after this.Folsom Prison Blues solo shows a unique approachįolsom Prison Blues solo is a challenge to play in a single, acoustic guitar format. The last bar of the TAB represents the final bar of the chord progression loop. The solo starts slightly before the start of our progression loop, so I’ve picked up toward the end of the progression so that you can see how it links. The Folsom Prison Blues guitar solo is played twice, and it lasts the length of the chord progression that we’ve been using throughout. Naturally, many of you reading will want the full experience and will want to perform the actual guitar solo. What I like to do is play around with the strumming a little just to spice things up. All you need to do is simply play through your rhythm progression instead of playing the lead. The answer to this isn’t to simply cut the sections out though. If you’re playing Folsom Prison Blues as a solo guitarist then you may feel that performing the actual guitar solo sounds a little thin. See also Classical guitar lesson #1 Romance TAB and how to play guide Folsom Prison Blues Guitar Solo rhythm section/solo alternative Once you’ve got the hang of throwing in those extra little strums, you can move onto the next version which is the most advanced. You don’t have to be robotic and play the exact same for every loop. You can even mix things up as you progress through the song. If you want to take away, or add to the above, you can do. I’ve done it that way to demonstrate that you can be free with rhythm and place these extra strums wherever you see fit or wherever you think sounds good. You’ll also notice that my placement of the developed rhythm seems somewhat random in terms of placement. The strums at those parts will last half as long because you now have to squeeze two strums (the down and the up) into the same amount of space. Now, at times, you’re playing two strums over that “and” instead of just the one. To expand, the strums were (and still are) falling on the “and” parts of the bar. When you see the extra chord fragment, you’d play a rapid DU (down up) strum, instead of just the down strum that you were doing before. A snare drum was replicated by inserting a piece of paper under the guitar strings. There was no drummer in the studio for the recording session. Sam Phillips produced the track and the musicians were Johnny Cash on vocals and guitar, Luther Perkins (guitar), and Marshall Grant (bass). The original recording of Folsom Prison Blues was recorded at Sun Studio in Memphis Tennessee. ![]() ![]() “I sat with my pen in my hand, trying to think up the worst reason a person could have for killing another person, and that’s what came to mind.” The line “But I shot a man in Reno, just to watch him die” came from Cash trying to come up with the worst possible reason for one person killing another. Jenkins was not credited on the original record but after the song became popular, Cash paid Jenkins a settlement of approximately $75,000 following a lawsuit. Cash took the melody, and some lyrics from Gordon Jenkins’ Seven Dreams concept album, specifically the song Crescent City Blues. Cash was inspired to write Folsom Prison Blues after seeing the movie Inside the Walls of Folsom Prison while in West Germany, serving in the United States Air Force.
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